Tomato |
A.I. Artificial Intelligence (2001) |
"The first really strange, risk-taking, Hollywood movie I've seen in 2001." |
Dave White |
Splat |
About Adam (2001) |
"You Should Pay Nine Bucks for This If: Turning off your brain for an empty-headed sex comedy that really skimps on the comedy is how you want to throw away your dough." |
Dave White |
Tomato |
The Adventures of Felix (2001) |
"Date Movie? Not as satisfying as Big Eden, but it'll do as a good second choice." |
Dave White |
Splat |
The Affair of the Necklace (2001) |
"It's all about as elegant as jewelry from a home-shopping channel." |
Dave White |
Tomato |
Ali (2001) |
"It's just a good movie and not the greatest." |
Dave White |
Tomato |
All Over the Guy (2001) |
"It makes more sense than the usual slop that gay audiences get stuck watching." |
Dave White |
Tomato |
All the Pretty Horses (2000) |
"A gorgeous elegy for the Cowboy Way." |
Dave White |
Tomato |
Almost Famous (2000) |
"It's big-hearted, bittersweet, and they all shine on." |
Dave White |
Splat |
Along Came a Spider (2001) |
"You Should Pay Nine Bucks for This If: You like rolling your eyes at this sort of hooey and saying 'as if!' to your viewing companions. You'll be doing that a lot." |
Dave White |
Tomato |
Amelie (2001) |
"You Should Pay Nine Bucks for This: If you’ve been feeling sluggish and grumpy lately. I recommend daily viewings. If it doesn’t make you wildly happy, then I want to hear from you." |
Dave White |
Tomato |
America's Sweethearts (2001) |
"[Crystal] nearly sinks the medium-sized comedy boat they're all trying to occupy. Still, it's funny enough and forgettable enough that you probably won't mind, especially when Julia shows off her teeth." |
Dave White |
Splat |
American Outlaws (2001) |
"Its true focus is Farrell's perfectly tousled hair, hair never disturbed by a cowboy hat while no other man onscreen removes his." |
Dave White |
Tomato |
American Pie 2 (2001) |
"This and the first Pie maintain a consistently jolly, sex-positive tone. That counts for a lot." |
Dave White |
Splat |
An American Rhapsody (2001) |
"Overall, this movie wants your tears, it just doesn't know how to wring 'em out of you." |
Dave White |
Tomato |
Amores Perros (2001) |
"A truly stunning film, both horrible and beautiful." |
Dave White |
Splat |
Angel Eyes (2001) |
"Another quality product from the folks at Franchise Pictures, a production team as rigorous in its aesthetic output as the Dogme 95 dudes." |
Dave White |
Tomato |
The Animal (2001) |
"It's funny if you have nothing else to laugh at and no expectations at all." |
Dave White |
Tomato |
The Annihilation of Fish (2001) |
"What's Right: Nice performances from Redgrave and Jones." |
Dave White |
Tomato |
The Anniversary Party (2001) |
"Good first-date movie. See who they think is the craziest, worst-behaved character here. It'll help you decide if you want that second date." |
Dave White |
Splat |
Antitrust (2001) |
"This movie can take its rightful place in the pantheon of funny, bad movies." |
Dave White |
Tomato |
Apocalypse Now Redux (2001) |
"The movie didn't 'need' to be lengthened, but it's great to see the cut footage." |
Dave White |
Splat |
Atlantis: The Lost Empire (2001) |
"It's all sort of lifeless -- no suspense, no compelling characters." |
Dave White |
Tomato |
Audition (2001) |
"A total freakout that will slow-burn itself into your brain. Prepare to feel creepy." |
Dave White |
Tomato |
Any Given Sunday (1999) |
"On a purely cinematic level, the film is indeed triumphant, with wildly inventive player-perspective footage that brilliantly conveys the rush of game-time action, and an expert's grasp of multilayered storytelling." |
Hazel-Dawn Dumpert |
Splat |
Autumn in New York (2000) |
"The biggest miracle here would be if this movie is still in theaters come autumn." |
Jeffrey Cohen |
Splat |
Angela's Ashes (1999) |
"The script by Parker and Laura Jones also borrows massive chunks of McCourt's narration, in voice-over style, but the result is constantly to tell us rather than show us, or worse, tell us what we've already been shown." |
Robert Koehler |
Splat |
Anna and the King (1999) |
"In his big bid for Hollywood stardom, Chow lacks what gave him star power to begin with: an intensely masculine soul of fire and ice." |
Robert Koehler |
Tomato |
The Art of War (2000) |
"A formulaic spy thriller with an intricate puzzle-box story and action that speeds along nicely once it gets going." |
Robert Koehler |
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