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Camp (2003) |
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"The high heels were painful, especially when I was doing a musical number in them. After all, I had only rehearsed twice in heels. Then the eyelashes were kind of disgusting. They were really mushy in the eye." | |
Brandon Judell | |
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8/10 |
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The Closet (2001) |
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"all honours finally go to Veber, who has once again single-handedly changed the landscape of gay filmmaking, proving that gay subject matter can be financially successful without being condescending." | |
Brandon Judell | |
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Colma: The Musical (2007) |
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"Like Hedwig and the Angry Inch and other recent musicals, Colma winks at the audience when its characters slip into song, still showing plenty of love for its genre." | |
Marc Breindel | |
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Come Undone (2001) |
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"The sex scenes are bluntly beautiful, the boys are natural, superb actors, and you'll find yourself more than ready to embrace "Come Undone" as one of the great tales of amour." | |
Brandon Judell | |
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Far From Heaven (2002) |
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"As the rebel with a cause, Julianne Moore incomparably embodies an exemplary housewife who nearly disintegrates as the values she once treasured become farcical, empty tenets that restrict her happiness instead of safeguarding it." | |
Brandon Judell | |
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The Fluffer (2001) |
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"a sappy muddle complete with murder, drug addiction, and an abortion -- which is another way to describe this effort." | |
Brandon Judell | |
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9/10 |
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Gosford Park (2001) |
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"please don't raise an eyebrow when you hear such lines as, "Desperate for a ***?" or "Too many fags. They'll be the death of me." The locale here is English society. The date: November 1932. And the "fags" that are being chatted about are puffed on, so pl" | |
Brandon Judell | |
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The Hours (2002) |
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"I actually was there the day they tried the nose on her the first time," he recalls, "and I of course loved the nose. Everyone was a little bit nervous, understandably, about whether it would look real. A fake nose is fine as long as it never, ever, for o" | |
Brandon Judell | |
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9/10 |
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Iris (2001) |
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"you almost get the feeling she copulated with the lads to get nearer their minds and with the gals for the sheer fun of it." | |
Brandon Judell | |
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-- |
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The Look (2003) |
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"I play this guy named Henrik who teaches male models how to walk the runway. It's just this silly sort of lark, but I got to work with really hot male models, which was fun." | |
Brandon Judell | |
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Sonny (2002) |
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"
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" | |
Brandon Judell | |
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-- |
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Swoon (1992) |
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"I feel Hollywood now is fine with gay people and gay characters as long as we're making them laugh, doing their hair, giving the straight women therapy or decorating their homes. But it's sort of the same thing black people went through. As long as you're" | |
Brandon Judell | |
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