Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) |
100% | |
Rope (1948) |
90% | |
The Discreet Charm of the Bourgeoisie (1972) |
100% | |
Duel in the Sun (1946) |
100% | |
Down by Law (1986) |
100% | |
Milos Forman’s Amadeus is a magnificent tale of obsessive envy that will eternally resonate in my memory. It’s filmmaking at its highest, most gratuitous level! It is a costume/period piece that rivals the scope of Kubrick’s Barry Lyndon; it is erotic beyond belief—so... More
With this film, I seriously come to doubt my convictions about the auteur theory as it is exclusively a term applicable to the director. If that tenant is true, then Charlie Kaufman (as the writer of the film; not the writer of the film in the story) should go without... More
The meta-film genre starts here with Federico Fellini’s spellbinding, personal masterpiece—8½. There are three films that I turn to when I am craving content relevant to film itself. They are: Spike Jonze’s (and writer, Charlie Kaufman’s) modern masterpiece, Adaptation;... More
Over black we hear Pietro Mascagni’s triumphant score – Cavaleria Rusticana: Intermezzo. And the credits roll: “a Robert Chartoff / Irwin Winkler production” – the two gentlemen who produced another boxing film classic, "Rocky." But, this is “a Martin Scorsese picture,”... More
What may be Quentin Tarantino’s (In-)glorious masterpiece; just as well, what is, for me, the best film (thus far) of 2009… In general, Tarantino’s Inglourious Basterds is a magnificently entertaining film;... More
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